Carole Zucker is from New York City, where she began her acting career. She studied Drama at Clark University in Massachusetts as an undergraduate, and then went on to graduate studies in Theater at the State University of New York at Binghampton (where she studied with Arthur Lessac, amongst others.) Carole then went to graduate for her M.A. and Ph.D. in Cinema Studies at New York University. She has taught film studies at Concordia University for over 30 years, and has developed a large range of courses. Carole has written for most major film journals, such as: Cineaste, CineAction, Cinema Journal; The Canadian Journal of Irish Studies; Literature/Film Quarterly; Postscript, and many others, and Carole’s books have been reviewed by Film Quarterly; Film Studies Journal of Canada; Stage; American Drama Review; Times Higher Education; Playbill; Edinburgh Journal of Philosophy; Gothic Studies Journal; The Dublin Times, and elsewhere. Carole has spoken about performance (amongst other subjects) at conferences across the US, Canada, Ireland, and Sweden. Her work, both as a teacher and writer, has been instrumental in the development of the field of Performance Studies internationally. Carole has studied acting at both the HB Studios in New York as well as The Neighborhood Playhouse and appeared as an actor in a multitude of off-off Broadway plays and regional theater.
Books: Carole Zucker has written 6 books as well as interviewing over 100 actors and directors. One of Carole’s interviews was extracted in The Sunday London Times, with a readership of 2 million. Her books include:
Conversations with Actors: on Film, Television, and Stage Performance (Portsmouth, NH: Heinemann Drama, 2002.)
The interviews from In The Company of Actors were edited by the author so that they read like a seamless narrative rather than a Q & A format.
Figures of Light: Actors and Directors Illuminate the Art of Film Acting (New York: Plenum/Da Capo Press, 1995.)
Cited in Oxford Bibliographies as a “must to read” for the craft of film acting.
Making Visible the Invisible: An Anthology of Original Essays on Film Acting. Editor, introduction, contributor.(Metuchen, NJ.:Scarecrow Press, 1990.)
Cited in Oxford Bibliographies as a “must to read” for Acting.
The Idea of the Image: Josef von Sternberg’s Dietrich Films.(Madison,NJ:Fairleigh Dickinson University Press, 1988.)
In 2012, Carole will publish her seventh book, “Neil Jordan: Interviews) with the University Press of Mississippi series of conversations and interviews.
Grants: Carole has received four major grants from the Social Sciences and Humanities Research Council between 1991 and 2006 to support her work on performance, and on Irish cinema and work on the Irish filmmaker, Neil Jordan.



























